San Francisco Opera
Read MoreBarton, as Sara, gave a performance rich in pathos and cloaked in the thickly upholstered vocal colors that make her singing so irresistible…
Read MoreBarton, as Sara, gave a performance rich in pathos and cloaked in the thickly upholstered vocal colors that make her singing so irresistible…
Read MoreImpeccable diction and voices of real substance get the opera off to a tremendously powerful start… Previously impressing mightily for both power and beauty of line as the cycle’ Fricka, Jamie Barton delivers an equally radiantly sung Waltraute…
Read MoreJamie Barton, singing so beautifully in Das Rheingold, proves she has vocal balls of steel as well, delivering a Fricka of power and considerable subtlety. The voice is still creamy, but when the top notes fly, the audience are pinned to their seats…
Read MoreVocal honours are due to Jamie Barton’s sumptuous Fricka, blessed with razor-sharp diction and an instinctive way with the words…
Read MoreMezzo Jamie Barton, conquering international singer, supplies smoky velvet tone and incomparable artistry... When you hear Barton's glorious plangency, you want this opera renamed Adalgisa…
Barton was the star of the evening, elevating the mezzo role of Princess Eboli from vengeful femme fatale to a wounded but sympathetic courtier, both perpetrator and victim of the palace’s sexual intrigue. Her Veil Song was coy and sultry, and the showstopping “O don fatale” was a magnificent study...Read More
With a voice of remarkable power and depth, Barton brought lyrical grace and zeal to a wide-ranging program of songs...Read More
From the first lines of her entrance prayer Barton boldly gave notice that this was going to be an old-school, gratifyingly big-voiced Adalgisa...Read More
Barton’s vocal grain is somehow both dark and bright, radiant and cloudy at the same time...Read More
Read MoreJamie Barton, making her LSO debut, wrapped her dark, glowing mezzo around the Hebrew texts warmly, drawing a fine balance between grief and nobility…