The Interview
BBC Music Magazine
August 2019
Barton’s turn in the SW7 spotlight (in a year which happens to mark 50 years since the Stonewall riots) is likely to be an especially fabulous reflection of what she proudly describes as her truth. “I feel that promoting and celebrating love in all its forms is something we can all get behind.”
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Jamie Barton Is Speaking out — And Singing — on Behalf of Women
San Francisco Chronicle
July 2019
Jamie Barton has an obvious affinity for strong, confident and outspoken women — both on and off the operatic stage. Perhaps that’s because, well, she’s one herself.
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El Mes del Orgullo
Club de Ópera
June 2019
“Learn what makes you unique and develop your artistry with integrity – with the honesty of who you are. Audiences crave that kind of vulnerability and authenticity from those of us on stage.”
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An Artist Whose Time Truly Has Come
Opera Magazine
March 2019
She’s an artist whose exceptional personal warmth has endeared her to colleagues and audiences everywhere. Watch her walk onstage for a recital; she does so with regal confidence, but also with an inviting smile and a palpable eagerness to share stories with her listeners through song.
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Jamie Barton Returns Home To Sing In The Atlanta Opera’s 'Dead Man Walking'
ArtsATL
January 2019
Opera is no stranger to crimes of passion. However, opera also portrays the best of humanity alongside all of the human folly. The Atlanta Opera’s production of Dead Man Walking stars Georgia native and internationally renowned mezzo-soprano Jamie Barton in the role of Sister Helen Prejean. Heggie’s operas always seem to offer redemption in the midst of tragedy, and Dead Man Walking appears to be no different. We caught up with Barton to discuss her upcoming role at the Atlanta Opera.
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