Waltraute & 2nd Norn in GÖTTERDÄMMERUNG

San Francisco Opera

Impeccable diction and voices of real substance get the opera off to a tremendously powerful start… Previously impressing mightily for both power and beauty of line as the cycle’ Fricka, Jamie Barton delivers an equally radiantly sung Waltraute…

Read More
Beth Stewart
Fricka in DIE WALKÜRE

San Francisco Opera

Jamie Barton, singing so beautifully in Das Rheingold, proves she has vocal balls of steel as well, delivering a Fricka of power and considerable subtlety. The voice is still creamy, but when the top notes fly, the audience are pinned to their seats…

Read More
Beth Stewart
Adalgisa in NORMA

Houston Grand Opera

Mezzo Jamie Barton, conquering international singer, supplies smoky velvet tone and incomparable artistry... When you hear Barton's glorious plangency, you want this opera renamed Adalgisa…

Read More
Beth Stewart
Eboli in DON CARLO

Washington National Opera

Barton was the star of the evening, elevating the mezzo role of Princess Eboli from vengeful femme fatale to a wounded but sympathetic courtier, both perpetrator and victim of the palace’s sexual intrigue. Her Veil Song was coy and sultry, and the showstopping “O don fatale” was a magnificent study...
Read More
Beth Stewart
Adalgisa in NORMA

Metropolitan Opera

From the first lines of her entrance prayer Barton boldly gave notice that this was going to be an old-school, gratifyingly big-voiced Adalgisa...
Read More
Beth Stewart
Léonor in LA FAVORITE

Teatro Real Madrid

Debuting with an already fully developed interpretation, the justly deserved standout among the vocal cast was Jamie Barton, who offered a magnificent Leonor. A big voice – meaty and velvety, with generous volume and extensive range – it’s also delicate, with an attractive timbre and impeccable placement, and a homogeneous lined-up sound…

Read More
Beth Stewart